by Costas Panayotakis For some years now I have been conducting research on farcical and rather uncouth Latin comedies conventionally called “Atellane plays” (in Latin, fabulae Atellanae), the scripted incarnation of which is now known to us only through the “fragments” (or, more precisely, literary citations) of plays composed by the playwrights Novius, Pomponius, Mummius,… Continue reading
by Adrastos Omissi My surname has always been something of a mystery to me. From as young as I can remember, I was very aware that it was odd – I learnt at an early age that it always had to be spelled out, and I have known the NATO phonetic letter for ‘s’ (Sierra)… Continue reading
By Lisa Hau This summer I went to Greece with my family. There is nothing in itself unusual in that; as a classicist who works on ancient Greek literature and history, I take my family there almost every year. This year, however, we didn’t go to Athens or the Peloponnese like we normally do, but… Continue reading
“Dracchae” (Alice Mantese, MSc Classics & Ancient History, 2024) With their background in Theatre making and a love for the Classics, Alice decided to focus their project on the queer themes of Euripides’ Bacchae by readapting the play for a Drag-inspired performance, with the aim of making the story more accessible to a modern audience… Continue reading
“Gorgoneion head” (Caitlyn Eldridge, MSc Ancient Cultures, 2024) Interested in recreating ancient art pieces into different mediums, Caitlyn is a recreating a gorgoneion head painted onto a vase into a cross stitch, while also explaining what and why the gorgoneion head was used for. “Siren Odyssey” (Felix Lee, MRes Classics, 2024) Intrigued by the disturbing… Continue reading
The New Library of Alexandria is a creative colloquium founded by and created for postgraduate Classics students at the University of Glasgow. The group aims to create and engage in personal creative projects anchored in the ancient world. This allows its members to interact with history in new ways and expand their skill sets. Like… Continue reading
by Erin Littler (Hons student) In late 2023, I was fortunate enough to be awarded the Kenmure Prize in Classics (founded in 1976 in memory of the Reverend Vera Kenmure, first woman minister of the Congregational Union of Scotland). This gave me the opportunity to travel abroad and view classical sites, which I have previously… Continue reading
by Kirsten Blackham (Classics PhD, University of Glasgow) While the search for Cleopatra’s tomb has been a central point of interest for archaeological research in the Ptolemaic period, there seems to be a curious lack of interest in the recovery of her Mammisi (or birth-temple) at Armant (ancient Hermonthis). Cleopatra VII’s Armant Mammisi is a… Continue reading
The politics of the UK and US over the past two years has led to an upsurge in populist politics. How far this is distinctively new is open to question—leaving aside precursors in British and American politics, similar trends have been well in evidence in continental Europe and there is a long and ugly history… Continue reading
As part of the project on Hero of Alexandria and his Theatrical Automata, I’ve been looking at the history of automata in Greek and Roman antiquity. As well as Hero’s treatise, there are occasional brief references to devices that may (or perhaps may not be) automata. The evidence is tantalising and gives hints about how… Continue reading
